Geburtstag. It’s difficult to imagine what Bobby Relf and Earl Nelson thought of the fact that the horn intro to their beautiful R&B number ‘Harlem Shuffle’ will forever be remembered for kicking off HoP’s track, but that doesn’t change the fact it’ll forever be a party anthem. Keisza nailed it and sounded like she had a ball in the process. It has everything. ‘Gotta make a move to a town that’s right for me,’ sings Cynthia Johnson in a robotic, vocoderized voice (a precursor to the Auto-Tune sound) before busting out an unmodified, soulful wail, pleading for a trip to the party destination of her dreams. As everyone pointed out after his death, Kurt would no doubt have hated how big it eventaully became, but this is one of the foremost examples of a song belonging to the fans rather than the artists who penned it. Absolutely every single part of this song is an earworm: the synths, the abstract lyrics and chorus, the bassline, the bass solo, the horns, everything. Superstition ain’t the way, people – Stevie said so. Eddy Frankel, You know when you wake up at a festival and there’s that drip of moisture running down the wall of your tent onto your head? All Rights Reserved. Morrissey’s fey, lyrical whining reaches its peak here. Für kleine Feiern im privaten Rahmen sind diese eher ungeeignet. Ellie Walker-Arnott. That’s how good a song it is. And he stares back at you, face cracking with a big grin that makes his moustache wriggle with glee and replies, 'Fiesta..? Sex and dancing your butt off… NOW THAT’S OUR KIND OF PARTY. When we’re talking parties, most Jacko tracks are likely to be busted out when the mood requires some uplifting, golden grooves to make people smile. Check that vintage video and you’ll see from where the later single gets its ‘naa na na na naah’s. If he wrote a winner, the PRS royalties would roll in, come Y2K. I wouldn’t put too much money on that bet though, Alex Turner: you ain’t seen my moves. Hank Shteamer, Serial apostrophe abusers Gn’R had their first proper mega-hit with this heartbreaker. Turn it up, shout, sing, scream, jump, flail. Besides becoming a dancefloor phenomenon, the song also inspired Durex to produce its own line of ‘Get Lucky’ condoms. These lads fought for your right to party, so it’s only right they’re in this list. Anwohner dürfen nicht etwa durch laute Musik oder Unterhaltungen draußen gestört werden. Go on, let it funk you up. Hank Shteamer, It might have become something of a hen do go-to, with its own silly dance move to match, but 'Single Ladies' is an epic pop anthem. A single snare hit kicks it all in before a constant barrage of incessant funk guitars and deliciously sexy falsetto vocals take you on a groovy trip around the bedroom. Does it matter? Private party. When you’re having a terrible time and you just feel so alone and it’s impossible to meet anyone special - no matter how many parties you go to - it seems you’ll never, ever find that soulmate, but then the DJ drops this and you can just let the emotion pour out of you in five minutes and fourteen seconds of borderline hysteria, while everyone just thinks you’re doing a really passionate homage to Whitney. ‘Everywhere’ also made our list of the best ’80s songs. But don’t read too much into it, just listen to the growling guitars and Damon ‘woo-hooing’ like an overexcited teenager. The track acts as a bridge between ’70s disco and ’80s house, all the while being both ridiculously catchy and danceable enough to make you think doing the robot is a good idea. Noch keine Übersetzung vorhanden. This song does, indeed make the sun shine brighter than Doris Day, and in today’s world acts as a siren heralding the arrival of everyone on the dance floor. Yeah, go ahead – scoff all you like, but we all know that when no-one else is around and ‘Jump Around’ comes on the radio, you smile and crank up the volume. Times When Misfortune Takes An Interest In You! After a decade that saw the beehive-topped party band enshrined in the college-rock pantheon – and dealt the group a crippling blow with the death of beloved guitarist Ricky Wilson – the B-52s roared back to their career peak with this ode to a ‘little place where we can get together'. Don’t we all. Sophie Harris, For anyone who’s ever relished the delicious longing of a summertime crush (that’s all of you, then), Canadian popstrel Carly Rae Jepsen crowned summer 2012 with this perfect pop anthem. Joshua Rothkopf, You don’t have to be a ‘90s bitch to adore Icona Pop’s empowering dancefloor filler. The 14-minute-35-second-long full-length version had to be edited down a little, however, before ‘Rapper’s Delight’ could break into the charts. Pages Liked by This Page. Think about that. In cooking up a dish of sweet revenge, Boston’s Robert Brown unwittingly created one of the biggest party tunes of all time. With one of the catchiest choruses in the history of catchy choruses, the only ‘why’ worth asking is ‘why does it have to stop?’ We suggest putting on the 12-inch edit and letting everyone get their groove on for as long as possible. The music-making process according to Jerry Wexler of Atlantic Records: ‘We didn’t know shit about making records, but we were having fun.’ Do likewise. James has the last freaky laugh, though, if only for the slashed, sequin-strewn top and circulation-endangering leggins that he braves in the accompanying video. The message is simply love yourself and celebrate you. And that’s the real crux of this song. And yeah, it’s way more party-friendly than most Nirvana material. James Manning, Diana Ross’s most ebullient hit is the perfect song to turn any party from tentative into full-on fabulous. The Music Of The 1960s 1970s The 1980s The 1990s. Tristan Parker, Just about every Sean Paul hit follows the same formula: a spare, repetitive riddim collides with that inimitable monotone, which always seems far too chill to concern itself with reaching for any tricky notes. Jonny Ensall, Sucker DJs who think they’re fly get put in their place with the title track of this trio’s best-selling album – and we grab ourselves a prime spot on the dancefloor every time this comes blaring out of our boombox. Jonny Ensall, Composed by Minnesota’s Steven Greenberg for his jokily named studio band, Lipps Inc, ‘Funkytown’ expresses a simple, repetitive yearning for the pulse of a bigger city, goosed by a killer ten-note synth riff. Throw this one on about three quarters of the way through your bash, when you need a surefire, hands-in-the-air worldbeater. This song reached number 62 on the Billboard R&B Singles chart. Nein, für Musik, die Sie z. ROCK Redemtion. But believe us, it isn’t. To help you make sure your party goes off like a frog in a sock, we've put together this list of surefire floor-fillers featuring a generous smattering of '90s songs, house songs and R&B songs. Don’t let the fact that it's been covered by a thousand morons with acoustic guitars put you off – this is guaranteed sing-along perfection. Except for Luther burgers. Putting personal politics aside – R Kelly being a questionable human being and all – try and deny the powerful allure of this track. This song does, indeed make the sun shine brighter than Doris Day, and in today’s world acts as a siren heralding the arrival of everyone on the dance floor. This -. Incredibly, it even hit the Christmas Number One spot in 2007, after a social media campaign helped it overtake the effort of that year's 'X Factor' elf. This ‘80s-inspired power-funk track from Mark Ronson and Bruno Mars broke records, won awards and got the entire world strutting and finger-clicking in unison. Ditto when Pharrell and Robin Thicke were looking for a vibe to ‘inspire’ ‘Blurred Lines’. Thanks to Spotify and other streaming services, everyone's a DJ these days. Bey is guaranteed to get people on the dancefloor. It should have a blue plaque on it. It’s stark and simple – all drums, bass and vocals – but it’s irresistibly infectious. Tim Lowery, This hugely anticipated (not to say hyped) comeback single from Daft Punk became the summer anthem of 2013. We all know what he’s on about: it’s Friday night, you feel alright, you reach for the 40, the party is up on the west side – it’s the universality of the lyrics, and that big ol’ bouncy groove, that makes this such a disco destroyer. All rights reserved. She sings it and everyone else shrieks it in homage to one of the great vocals of all time. Eddy Frankel, ‘Slicker than your average.’ No, not Craig David, but Notorious BIG, whose defining hit proves just how well-lubricated the Brooklyn rapper’s rhymes could be. When Dr Dre is instructed by Teddy Riley to 'drop the verse' over the Bill Withers’ sample, it’s absolutely iconic. It sounds like a Lee ‘Scratch’ Perry chat up line, but it’s not - it’s George Michael announcing the beginning of the theme tune to 80s hedonism, which swiftly continues with ‘Jitterbug into my brain goes a' bang bang bang ‘til my feet do the same.’ What the hell was happening during that decade? Nitpick re: the ‘American Girl’ similarities all you want, but the combination of Julian’s disaffected yowl, Albert and Nick’s chirpy chords, Nikolai’s humble throb and Fab’s unflappable bounce still carries a rare boot-scootin’ charge. But on this global chartbuster from 2013 Pharrell is celebrating joy for the sake of joy, so go ahead: shake what you got, turn that frown upside down and relish every delicious move you make on the dance floor. Think about that. But layered over a rock-solid funk beat, a deadly simple bass hook and – crucially – Kelis’s hypnotically catchy chorus, the song transforms into a slow-burning hip hop banger. Eddy Frankel, When it comes down to it, you really shouldn’t ever have a party without playing this early-‘90s firecracker of a choon at least once. Just remember to think of your party playlist like a spag bol: a little bit of cheese is a fine addition, but too much can be overpowering. Praise be to that… Mmmm-hmmm. Bruce Tantum, A boisterous disco crowd, gyrating on the dancefloor of your imagination, can be heard high in the mix. And that’s the real crux of this song. Die besten Party … This video is of Men's private party which is based on Hindi Song and only 1 female dancer. Josh Jones, Thank god for this song. Eddy Frankel. ‘This Charming Man’ also made our list of the best ’80s songs. We’re not entirely convinced MJ himself quite knew what enough was; otherwise he might have stopped, eh? They’re not. It’s a ‘let’s cut the bullshit’ plea, an emotional ante-up, an unguarded attempt to elicit a clear statement of intent from a vexing lover. Eddy Frankel, Yeah, yeah, it’s over 50 years old and your grandparents might’ve made out to it – but good gosh if this isn’t one of the sexiest, wildest songs on this list. The now-iconic opening verse, ‘Go shorty/It’s your birthday/We gonna party like it’s your birthday,’ makes ‘In Da Club’ an obvious choice for any party that serves shots instead of orange soda. If there’s one thing this list makes crystal clear, it’s that Nile Rodgers is the undisputed god of all partying. 0:35. You Might Want To Double-Check These Pictures! The Swedish duo’s synth-tastic track is the embodiment of joyful abandonment. Once it starts to spin, you really feel like you could party until the end of time. This song starts with the line ‘you put the boom boom into my heart'. The threesome (with a little help from ringers Q-Tip, Maceo Parker and Bootsy Collins) come up with ‘Groove Is in the Heart’, a sweetly innocent percolator of a tune that, against all odds, becomes the worldwide club smash of 1990. Absolutely every single part of this song is an earworm: the synths, the abstract lyrics and chorus, the bassline, the bass solo, the horns, everything. ‘I’m bringing sexy back,’ former Mouseketeer and boy band escapee Justin Timberlake declares at the start of his 2006 single, making the case that he’d grown up more bluntly than a you-know-what in a box. And when rock-hard riffs are doused in Clavinet keyboard flourishes and horn section licks, it’s hard not to agree. And what Lou says goes. Then that first verse – ‘and it feels like…’ – wait for it – ‘…home.’ Add in a dollop of worldwide scandal, objections from the Vatican and the sickest gospel coda ever to feature in a pop song, and you have one of the greatest party songs ever recorded. Amy Smith. Not a bit, firstly because of the immense symbollic value it acquired over the years, but secondly because it is a great tune. Our favourite version, though, is Jepsen singing with Jimmy Fallon and The Roots, playing ‘Call Me Maybe’ on kids’ instruments. ‘Push It’ also made our list of the best ’80s songs. Paul Simon is that baron. Back in 1982, Prince foretold that when the century turned, DJs around the world would desperately need songs about the occasion. How many former snipers from the Royal Canadian Navy can be credited with having written a banging synthpop tune? The track may have started out as a smooth R&B gem, but less than a year after its release it was transformed by Welsh producers K-Klass into the piano house banger we’ve all been doing the running man to ever since. Bowie opens the tune with spoken word before hitting his unmistakable highs: ‘Terrifies me/Makes me party/Puts my trust in God and man!’ Colin St John. Probably just Rick James’s funky, freaky hit, a spin of which is guaranteed to invite the very silliest dancing, in the best possible way. We advise laying down a tarpaulin before you drop this one at your next house party. Rock ‘n’ roll classic ‘Twist and Shout’ had already been released by The Top Notes and the Isley Brothers before The Beatles got their hands on it – and it was later covered by the Tremeloes and The Who too – but the fabs’ version is by far the best. But more than any of this, it’s a bona fide groover that makes us asthmatic with dancefloor appreciation. It’s almost impossible not to smile like Lionel ‘the Lion’ Richie. From the long, pulsing drum intro to fun, goofy lyrics about getting ‘locked in the circuitry’, it’s the party counterpoint to Radiohead’s ‘Paranoid Android’. The video for this features a bloke aimlessly wandering around on the Northern Line as well, which, as we all know, is usually what happens at the beginning and end of every great party. Pinky Ring Music presents Highway Heavy ft. Dave Mack and Tyree Neal in "Private Party!" We all want to be Paul Simon’s roly-poly, little bat-faced girl. What follows that statement of electronic intent is seven minutes of serpentine basslines and deadpan vocals. On this 1979 disco-pop smash, he wants you to be loved, and he especially wants you to get funky. Adam Feldman, Like a switch that immediately turns the vibe to ‘raunchy’, ‘Drunk in Love’ should come with a warning: everyone will be driven to winding and grinding while screaming ‘surfboard, surfboard’. That’s the opening line. We all want to be Paul Simon’s roly-poly, little bat-faced girl. Only play this if you are 100 percent down with air guitar. ), it flows into five minutes of pop rock anthemicism, lightning-fast guitar solos and Axl’s endless wailing. When rock-hard riffs are doused in Clavinet keyboard flourishes and horn section,!, easy, calypso-tinged island tune about simple love you know what ’ s crown, of,! 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